Showing posts with label marilyn monroe. Show all posts
Showing posts with label marilyn monroe. Show all posts

Friday, November 18, 2016

How to Throw a 1950's Thanksgiving

Bustle.com provides us with a post detailing how to throw a Thanksgiving like the 1950s!

Are you finding that your family's modern Thanksgiving dinner is not traditional enough? Too many foods that actually taste good? Too much gender parity? Too fun? Well, then this year, you might want to consider having ... a 1950s Thanksgiving dinner! It's good for what ails ya! (if "what ails ya" is greater awareness of racism and sexism, that is).

While the 1950s had enviable interior design and some really cute women's clothing, it was, in general, a crappy decade for almost everyone — from the straight white men who were expected to repress their emotions and work themselves senseless to support their families, to the straight white women expected to have no ambitions outside being a homemaker, to anyone who was not straight and white, who had to deal with constant degrading treatment and basically having no rights in the eyes of the law. And the post-war decade's Thanksgiving celebrations were a microcosm of the era's trends and social problems — unthinking sexism and racism, emotional repression, and Jell-O based food-stuffs.

That doesn't mean that parts of 1950s Thanksgiving celebrations weren't campy and adorable, of course — I mean, Marilyn Monroe dressed as a pilgrim? How precious!

If you'd like to learn more about a difficult and confusing period in our nation's history, read on for our guide to how to do your Thanksgiving — 1950s style. However, unlike Marilyn, you should probably plan on wearing pants.

Wednesday, July 27, 2016

Must-See Movie: Gentlemen Prefer Blondes

Gentlemen Prefer Blondes (1953)
Marilyn Monroe and Jane Russell star in this musical rom/com of two showgirls who go on a cruise, just to be pursued by multiple admirers and a private detective.

Lorelei (Marilyn Monroe), the titular blonde in the film, is passionate about money (specifically diamonds), and knows that marrying a wealthy man will give her all she needs.  Lorelei is engaged to Gus, a nerdy millionaire.  She scoffs at her best friend Dorothy (Jane Russell), who prefers men who don't have money since they don't brag as much about all they possess.

Friday, August 08, 2014

Must-See Movie: How To Marry A Millionaire

How To Marry a Millionaire (1953)
The last time I wrote one of these things was when only DVD rentals were possible, but now you can actually instantly watch this movie (and, of course, others) on Netflix's Instant Watch.  This movie is fantastic, and should definitely be in everyone's queue.

Starring Betty Grable, Marilyn Monroe, and Lauren Bacall, this movie is truly a how-to guide with a great strategy of how to find a man.  In fact, all I learned about dating I learned from this movie.

Don't let the title get you. I'm not a golddigger, but that's just not my priority. However, you can substitute the word millionaire with what any desirable man is (Jewish boy, older man, nice guy), and these tips not only are helpful, but they just make sense.
Shatze (Bacall), Pola (Monroe), and Loco (Grable) all state aloud to each other what they are looking for one thing in a man: six figures!  Then the three girls go to great lengths to reach their goal, strategizing and doing everything by their guidelines.  They pool all their money to live in a rich neighborhood in a highbrow apartment, even selling all their furniture to surround themselves with rich, eligible bachelors.

Wednesday, March 11, 2009

Must-See Movie: Some Like It Hot

Some Like It Hot (1959)
Jerry (Jack Lemmon) and Joe (Tony Curtis) are two struggling musicians who witness the St. Valentine's Day Massacre and try to find a way out of the city before they are found and gunned down by mob boss Spats Colombo. The only job that will pay their way is an all-girl band that is fortunately heading to Florida. Desperate, the two dress up as women and hop on the train as Josephine (Curtis) and Daphne (Lemmon). There they meet Sugar (played by Marilyn Monroe), and both men are smitten by her.

In Florida, they run in to more trouble, as Joe finds himself pretending to be a millionaire to get Sugar's attention, and Jerry must fight off Osgood, a rich suitor who is bent on marrying "Daphne." This creates one of the most hilarious moments in cinematic history, when Jerry, after hours of doing the tango with Osgood, returns to tell Joe "I'm engaged." Joe is thrilled, and asks who the lucky lady is. Jerry proclaims, "I am!"

Things get even more complicated, however, when mobster Spats Colombo and his associates arrive at the very same hotel, and Jerry and Joe must scramble to keep their identity hidden from the wise guys and simultaneously keep up the charade with Sugar and the rest of the band.

This movie may not have been the first cross-dressing movie, but it is definitely the pinnacle of the genre. The many clever innuendos and double-entendres that highlight the differences between men and women make this movie a hilarious and classic comedy. There is an even mixture between lowbrow and highbrow comedy, and even some slapstick is thrown in. But the greatest part is Tony Curtis and Jack Lemmon working at least two roles apiece, and playing with the different genders. Just the expression on Curtis and Lemmon's faces as they try to make their way down the train platform in heels...there is an obvious struggle as they walk, but they are both so naturally buoyant that it makes the performance even more incredible.

Tuesday, October 07, 2008

The Boss is Not Your Honey!

"THE BOSS IS NOT YOUR HONEY!" from Woman’s World (1957), courtesy of Tack-o-Rama:

If you're a working girl, be a working girl and not a would-be siren. Never try to flirt with your boss...he's your bread and butter and not your honey.

Be business-like not only in your approach to your work, but in your personal appearance, your manners and your deportment. By this we do not mean that you should try and disguise the fact that you're a woman, but simply that, during work hours, you shouldn't flaunt that fact around like a flirtatious flag.

DON’T --
Wear tight skirts that slip above your knees when you sit at desk or bench, or flimsy full ones that billow around your waist whenever a draught blows round a corner.

Drench yourself in heady perfume or strong-scented powder.

Think yourself a budding Marilyn Monroe and wear sweaters two sizes too small.

Arrive late at work and expect a smile to get you off.

Simper at the boss whenever he comes around.

Be coy with every male in sight.

Keep tizzying your hair in office hours.

Change your nail varnish in the shelter of typewriter or machine.

Sit with legs a-sprawl and arms akimbo.

Keep a cigarette dangling from your lips.

Clatter around with bracelets at wrist.

Have long phone gossips with the boyfriend.

Titter the minutes away with office mates.

Start refurbishing your make-up 10 minutes before closing time.

Turn your desk drawers into a medicine chest and beauty case.

Leave spare shoes, bags and hats around.

That's good advice from 1957!

Thursday, June 26, 2008

Mee-Yow Thursday

It's been awhile since our last catfight, but don't have a hissy fit about it -- here's a new one for you!
Howard Hughes was quoted as saying that Marilyn Monroe "moves her upper lip around like a snake." Ouch! What a cad!

Friday, May 30, 2008

Happy Birthday, Marilyn Monroe!

Her birthday will be this Sunday, June 1st.
"It's all make believe, isn't it?"

"If I'd observed all the rules, I'd never have gotten anywhere."

"I don't mind living in a man's world as long as I can be a woman in it."

"I don't want to make money. I just want to be wonderful."

"I'm very definitely a woman and I enjoy it."

Wednesday, February 20, 2008

"Va Va Voom" Star of the Day

Marilyn Monroe
[from my original post at Celebutaint]
Norma Jeane had a troubled childhood: she never knew her father, as her mother was widowed but dating around a lot. Allegedly her mother turned insane, abandoning her to a number of foster homes. She was almost smothered to death at two, nearly raped at six. She modeled on and off and signed with an agency. It was at this time that she had her hair cut, straightened, and lightened to golden blonde.

She didn’t find acting work until 1946 when she was discovered by 20th Century Fox. An exec suggested she take the name Marilyn (after Marilyn Miller) as her stage name, since Norma Jeane wasn't considered commercial enough. For her last name, she took her mother's maiden name. She was given minor appearances in 1947, but Fox decided not to renew her contract. She bounced back and forth between 20th Century Fox and Columbia, doing some B movies and small parts. When 20th Century finally gave her a starring role in 1952 with Don't Bother to Knock the reviews were mixed, but they claimed that it demonstrated Monroe's ability and confirmed that she was ready for bigger roles. 20th Century decided to give her a better contract.

Monday, September 10, 2007

80 years of Women in Film

A little MySpace movie showing the transformation of women throughout history. See if you can find our favorites: Norma Shearer, Rita Hayworth, Joan Crawford, Ava Gardner, Marilyn Monroe, Grace Kelly, and Audrey Hepburn (they're all in the beginning).
Women In Film


[Thanks to SorryIGotDrunk]

Thursday, August 30, 2007

Mee-Yow Thursday

Laurence Olivier on Marilyn Monroe:"I said to her on the set once, 'Why can't you get here on time, for f***'s sake?' And she replied, 'Oh! Do you have that word in England, too?'"

Thursday, July 26, 2007

Mee-Yow Thursday

Joan Crawford on Marilyn Monroe:
"Look, there's nothing wrong with my t**s,
but I don't go around throwing them in people's faces!"


Friday, June 01, 2007

Happy Birthday, Marilyn Monroe!

"She had the mysterious unfathomableness of a Garbo." -- Joshua Logan

"Anyone can remember lines, but it takes a real actress to come on the set not knowing her lines and give the performances she did." -- Billy Wilder

"She was like a ripe bowl of peaches." -- Anne Baxter

"She was the only gal who ever came close to me in the sex-appeal department. All the others had were big boobs." -- Mae West

"They treated her like a bubblehead, but she was very sharp." -- John Springer

"She was the most marvelous person I ever worked with." -- Montgomery Clift

"She had a kind of fantastic beauty...she radiated sex...she didn't need a soundtrack to tell a story." -- Leon Shamroy

For more about Marilyn's life (and death) read my article on Celebutaint.

Wednesday, November 15, 2006

Hello, Norma Jean

I saw a Moxied episode of Quantum Leap last night entitled "Goodbye, Norma Jean," where Sam leaps into the body of Marilyn Monroe's driver. He has to get her to the set of "The Misfits" so that she can complete the movie before her alleged suicide. An odd mission, seeing as how this wasn't the last film she worked on. She went on to film "Something's Got to Give" the following year with Dean Martin but it was never completed because of her death.

Anyway, I was fascinated by the woman who plays Marilyn Monroe, named Susan Griffiths. Not only did she look like Marilyn (not just your typical big eyelashes and platinum wig) but she sounded like her, too. Looking her up on the net, I found that she has an extensive career as a Marilyn-impersonator, even being featured in big films like "Pulp Fiction."

Check out her resume and a short film reel of her work at her website.

Thursday, November 09, 2006

Mee-Yow Thursday

During filming of Gentlemen Prefer Blondes Marilyn Monroe kept insisting on retakes despite the director, Howard Hawks' approval of each take.

When the production company asked Hawks how work could be sped up, he retorted: "Three wonderful ideas: replace Marilyn, rewrite the script to make it shorter, and get a new director."

Tuesday, November 07, 2006

"Va Va Voom" Star of the Day

Peter Lawford
Saturday morning I fell in love. I was watching the Esther Williams' flick On An Island With You, and her leading man was a tall, tan wonderful navy pilot. His soft voice, his big puppy eyes, his thick eyebrows, and his gleaming white smile made my heart melt. And I was completely transfixed by the 1948 version of Peter Lawford. (Don't we look cute together?)

British-born, Peter's parents were un-wed when he was conceived. This caused a scandal that drove the family to the United States, where they travelled constantly. Because of his family's travels, Peter was never formally educated, and his lack of education was a sore subject. It contributed to his feelings of inadequacy later on as a member of the Kennedy family (his brother-in-law was JFK), and throughout his adult life.

Injuring his arm in a childhood accident kept Peter from entering World War II, the greatest thing that could happen to his acting career. Hollywood was infatuated with heroic Englishmen and as war movies were being churned out by the dozens. Peter Lawford was just what America was looking for.

Once he signed with MGM, his mother insisted that studio head Louis B. Mayer pay her a salary as Peter's personal assistant. Mayer declined, so Mrs. Lawford responded by claiming her son to be homosexual and that he needed to be "supervised". When Peter learned of his mother's actions their relationship was never the same.

Perhaps to prove to everyone his sexuality, Lawford had a reputation as a ladies' man, even as he was married to Patricia Kennedy. He allegedly had many affairs with famous women, including Ava Gardner, June Allyson, Lana Turner, Janet Leigh, Rita Hayworth, Dorothy Dandridge, Lucille Ball, Judy Holliday, Judy Garland, Marilyn Monroe, Grace Kelly, Kim Novak, Jackie O, Nancy Reagan, and Elizabeth Taylor, to name a few.

These affairs made Peter more of a celebrity than a movie star, especially when he was made member of the "Rat Pack." Later in life, Lawford fell into drug and alcohol abuse. This plus strained relationships and financial difficulties caused a great deal of stress on his increasingly fragile health. Lawford died alone in a hospital in Los Angeles on Christmas Eve 1984 of liver and kidney disease culminating in cardiac arrest at the age of 61.

Interestingly enough, none of the Rat Pack members attended the funeral. This is possibly due to a falling-out between Frank Sinatra and Lawford over Peter's involvement with Ava Gardner.

Thursday, October 12, 2006

Must-See Movies: My Favorite Wife & Move Over Darling

For the first time in Lounge history (add pompous fanfare here) I'm endorsing two movies at once:

  • My Favorite Wife (1940) with Irene Dunne and Cary Grant, and
  • Move Over Darling (1963) with Doris Day and James Garner.
If you mention one movie, you have to mention the other, because the the 1963 flick is a remake of the 1940 film -- and both are excellent.

In both movies, Ellen Arden (Dunne and Day) arrives 7 years after being given up for dead in a shipwreck, to find her husband Nick (Grant and Garner) just remarried. Ellen decides to crash the honeymoon before the marriage can be consummated (ah, the 40's and 60's!) and to surprise her husband. But that's not even the half of it. Nick finds out that while Ellen was stranded on an island for 7 years, she was not alone. As Ricky Ricardo says, "She's got some 'splaining to do!"


I do tend to lean towards the 1963 version of this story for three reasons: 1) the comedy is higher with more pratfalls and slapstick, 2) the supporting roles played by Don Knotts (the shoe salesman), Edgar Buchanan (the judge), and Thelma Ritter (the mother-in-law), and 3) I could watch James Garner in any movie he makes.

Some interesting trivia: The 1963 film was originally titled "Something's Got to Give" and was to star Marilyn Monroe in the lead role. Monroe died before completion and so the movie was reshot entirely and released a year later than originally planned. Also just a year before, Day and Grant starred together in That Touch of Mink. I wonder if in between takes she asked his advice about doing the remake?

Wednesday, June 21, 2006

"Va Va Voom" Star of the Day

Jane Russell
Today is her 85th birthday, and so it seemed only logical that we'd give this smokin' hot starlet a little mention.

She was born Ernestine Jane Geraldine Russell in 1921. She did some modeling work and was actively sought after because of her figure.

She was ultimately signed by Howard Hughes for his production of The Outlaw (1943), the film that was to make Jane famous. The film wasn't a classic by any means, but was geared to show off Jane's ample physical assets. Hughes invented a bra to help hold her physical endowments for the movie but Russell says she ended up not wearing a bra in the film. It was hard for the flick to pass the censorship board, but finally the film gained general release in 1946 and was a smash at the box-office.

Jane didn't make another film until 1946 when she starred in Young Widow (1946). She had signed a seven year contract with Hughes and it seemed the only films he would put her in were those that displayed Jane in a very flattering light due to her body. Films such as His Kind of Woman (1951) and The Las Vegas Story (1952) did nothing to showcase her true acting abilities. Probably the pinnacle of her career was in Gentlemen Prefer Blondes (1953) with Marilyn Monroe. This film showed Jane's comedic side very well. Jane did continue to make films throughout the 1950s, but the films were at times not up to par, particularly with Jane's talents being wasted in forgettable movies in order to show off her sexy side.

She dabbled in movies and television throughout the 60s and even 70s, but had Jane not been wasted during the Hughes years, she could have been a bigger actress than what she was allowed to show.

[information provided by IMDb]

Thursday, June 15, 2006

Meee-yow Thursday

Marilyn Monroe vs. Montgomery Clift
"He's the only person I know that is in worse shape than I am."
[Wait, I'm confused. Is that a good thing or a bad thing? We'll call this one a draw.]

Thursday, June 08, 2006

Meee-yow Thursday

Clark Gable says:
Working with Marilyn Monroe on 'The Misfits' nearly gave me a heart attack. I have never been happier when a film ended.